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Article: Inside the New Pulse Drop: Flared Leggings, Two Short Lengths and a Crop Top

Inside the New Pulse Drop: Flared Leggings, Two Short Lengths and a Crop Top
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Inside the New Pulse Drop: Flared Leggings, Two Short Lengths and a Crop Top

A drop is usually presented as an arrival, as though the pieces appeared fully formed on a delivery date. In practice it is the opposite: a drop is the end of a long argument with yourself about what is missing, what is worth making, and what is not good enough yet. This one took the best part of a year.

Four new pieces have joined the Pulse range: flared leggings, shorts in two lengths, and a crop top. Here is how each one came to exist, and the decisions behind them.

Full-length look of the black Pulse Crop Top styled with matching Pulse Shorts

What Is in the Drop

Four pieces, all cut from PulseFlex™: the Pulse Flared Leggings, the Pulse Shorts in 12 cm and 17 cm, and the Pulse Crop Top. Same fabric, same waistband philosophy and same matte finish as the original Pulse Leggings, in the shapes the range was missing.

It Started With What Was Missing

We did not set out to launch a collection. We set out to close gaps, and the gaps were obvious once we started paying attention to what people actually asked for.

The first was shorts. Every summer the same question arrived, and every summer the honest answer was that we did not make any. The second was a top: we had a bra, but nothing between a bra and a sweatshirt, which is a strange place for a range to stop. The third was the flare, and that one arrived differently. It came from watching how people were already wearing the leggings, which was far more often outside the gym than in it.

None of those is a trend observation. They are all the same observation from three angles: the range only worked for part of the day, and it should work for all of it.

One Fabric, Four Pieces

The first real decision was whether to develop new fabric for each piece, and we decided not to. Everything in this drop is cut from PulseFlex™, the same recycled performance knit as the original Pulse Leggings, and that was deliberate rather than convenient.

A fabric that has already survived a full development cycle is a known quantity. We know how it recovers, how it behaves at the bottom of a squat, how matte it stays after months of washing, and how it ages. Starting again with four unfamiliar fabrics would have meant four separate sets of unknowns and four chances to get it wrong. It also means the pieces work together: a crop top and shorts bought at the same time actually match, in depth of black and in finish, which sounds trivial until you own a drawer of activewear that does not.

What changed piece to piece was construction, not material. That is where the year went.

The Flare

Flared leggings are deceptively hard. A flare is not simply a wider ankle: change the width and you change where the leg breaks, how the fabric falls when you walk, and whether the whole thing reads elongating or shapeless. Too narrow and it looks like a mistake. Too wide and it stops being something you can train in.

The version we landed on keeps the high-waisted fit and the wide double-layered waistband of the original leggings, then opens gradually below the knee into a clean line that lengthens rather than swamps. The intent was a pair you can wear to a class and then keep on for the rest of the day, which is exactly how the original leggings were already being worn.

Black Pulse Flared Leggings for women, side view showing the flared leg and high waistband

Two Short Lengths, Not One

The shorts caused the longest argument, and it was not about fabric. It was about length.

The temptation with a first pair of shorts is to pick one inseam, call it the universal length and let everyone else adapt. We tried to do that and could not make it work, because the two people we were designing for want genuinely different things. One wants as little fabric as possible on the leg and full range of movement. The other wants coverage, no ride-up between the thighs, and to stop thinking about it entirely.

A single compromise length serves neither well, so we made both.

Length Who it is for
12 cm inseam A shorter, freer cut. Less fabric on the leg, more range of movement, and the one to choose if you want a short that feels light in warm weather.
17 cm inseam A longer, more covered cut. The choice if you want coverage through squats, lunges and heavier lifting without adjusting anything mid-set.

If you are unsure, the simplest test is what you reach for now. If you already train in longer shorts and never think about them, take the 17 cm. If you tend to push shorter hems higher anyway, take the 12 cm.

Black Pulse Shorts in the 17 cm length worn outdoors, side angle showing the fit

The Crop Top

The top had the clearest brief and the most fiddly execution. It needed to work without a separate bra underneath, because a layer you have to layer is not really solving anything, and it needed to do that without becoming a compression garment you fight your way into.

So it has a built-in bra with removable cups, which is the part that took the longest to get right: enough structure to hold shape, removable for the days you would rather it did not. The back is a racerback, which keeps the shoulders free through overhead work, and the neckline sits high, because a top that needs adjusting between sets is a top you stop wearing.

The crop length was the last decision, and it went shorter than the first samples. It sits just above the waistband of the leggings and shorts rather than overlapping them, which is what keeps the full look clean instead of bunching at the middle.

Back view of the black Pulse Crop Top showing the racerback design and cropped length

What We Did Not Change

The most important decisions in this drop were the ones we refused to revisit. The waistband on the shorts and flared leggings is the same wide, structured, double-layered band as the original Pulse Leggings, for the reasons we set out in our guide on high-waisted leggings that stay up. The knit is the same extra-matte, squat-proof density, which is the whole subject of our guide on leggings that do not go sheer. And the branding stays a small GA monogram on the back of the waistband rather than anything larger.

Every one of those was solved once, properly, over rounds of samples we would rather not count. Solved problems should stay solved. The process behind that is something we go into in how every Gymathlete piece is actually made.

The New Pulse Pieces

Flared leggings, shorts in two lengths and a crop top, all cut from PulseFlex™ and built to the same standard as the leggings that started it. Designed in Stockholm, sampled until there was nothing left to fix.

Life is full of small discomforts. Your activewear shouldn’t be one of them.

Shop the new pieces

Frequently Asked Questions

What is in the new Gymathlete Pulse drop?

Four pieces: the Pulse Flared Leggings, the Pulse Shorts in a 12 cm and a 17 cm inseam, and the Pulse Crop Top. All are cut from PulseFlex™, the same recycled performance knit as the original Pulse Leggings.

Should I choose the 12 cm or 17 cm shorts?

Choose the 12 cm for a shorter, freer cut with less fabric on the leg, and the 17 cm for more coverage through squats, lunges and heavier lifting. If you already train in longer shorts without thinking about them, take the 17 cm.

Are flared leggings good for the gym?

Yes, provided the waistband and fabric are built for training. Ours use the same high, structured waistband and squat-proof knit as our standard leggings, with the flare below the knee, so they work for training and for wearing afterwards.

Does the Pulse Crop Top have a built-in bra?

Yes. It has a built-in bra with removable cups, a racerback design for freedom of movement through overhead work, and a high neckline, so it can be worn on its own without a separate bra underneath.

Is everything in the drop made from the same fabric?

Yes, all four pieces are cut from PulseFlex™. That keeps the finish and depth of colour consistent across pieces, so they can be worn together as a set, and means every piece uses a fabric whose behaviour and recovery we already know.